JUSTIN R. WOLF, LLC


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Architecture | Urban Design 

In addition to my content development and advisory practice, I work as a freelance journalist covering green building trends and regenerative design for a variety of press outlets, including ENTER magazine (AIA MN), Metropolis, Common Edge, and others. 

ENTER: an AIA Minnesota publication •

Minnesota’s GreenStep Cities Program Quietly Changes the State, One City at a Time

In the town Hutchinson, a 400-kilowatt, 975-panel solar array is mounted on ballasts above a 1970s-era city dump—the largest landfill solar project in Minnesota. In St. Cloud, the city’s wastewater treatment plant is close to 100-percent powered by renewable energy sources. In Duluth, city leaders are developing a replicable framework for resilient energy planning that could be adopted in other communities. These green energy projects are far from isolated examples in Minnesota. In fact, Minneso
Metropolis Magazine •

"We Need To Integrate Everything": Arturo Vittori’s Warka Village Nears Completion In Cameroon

With principal funding from Vittori’s U.S.-based non-profit Warka Water, established in 2016, the roughly one-acre village and its components are being built by local carpenters and artisans to accommodate up to 100 Pygmy peoples from the rainforest community known as Bibambi II. It includes eight communal homes, or Warka Houses, each with a footprint of about 260 square feet and designed with naturally insulated flooring and right tight roofs. There are also designated areas for an atelier, gar
ENTER: an AIA Minnesota publication •

Duluth Embarks on an Effort to Restore Its Embattled Shoreline

At the western tip of Lake Superior, Duluth, Minnesota, is the world’s most inland port, with heavy freight activity along its rocky shores. It draws an average of 6.7 million tourists each year, many of whom get at least a taste of the city’s 370 miles of trails. Duluth is also a particularly long city. It boasts 16.9 miles of lakeshore, which is a little more than half the length of the city’s linear span (the rest hugs the St. Louis River to the south). Neighborhoods like Kenwood and Chester
Frank Lloyd Wright Quarterly •

The (Green) Walls Become the World: Global Design Leaders Share Insights on the Future of Biophilia

One of these built prototypes is the Oasia Hotel Downtown, which is described by WOHA as a “permeable, furry, verdant tower of green.” In what amounts to an orchestrated stack of sky gardens and green terraces masquerading as a building, the city center high-rise, located a short walk from Marina Bay, is a literal beacon of biodiversity, inviting dozens of birds, bees, and other fauna to its façades daily, and boasting a total vegetated area (2,742 m2) greater than the building’s plot area (2,31
Metropolis Magazine •

In Detroit, Architecture that Stands Out While Also Listening

Developed by Bedrock Detroit, City Modern, encompassing 8.4 acres and containing more than 400 residential units, is one of the largest new developments in Motor City history. About 22,000 square feet of ground-level retail space hugs the site’s edges, while modern, high-density residential buildings—both low and mid-rise—rub elbows with century-old Victorian homes (four historical homes were restored as multi-family rentals). Modest setbacks give way to sidewalks, and pedestrian mews form the s
ENTER: an AIA Minnesota publication •

Silver Bay Looks to the Future with AIA Minnesota’s Minnesota Design Team

“We’re all about growth—more businesses, more housing,” said Kirsten and Wes, a young married couple with four dogs. They lamented Silver Bay’s lack of a dog park and residents’ frequent inability to visit Black Beach due to the parking lot “filling up with tourists.” “Tourist dollars are doing more harm than good,” said longtime resident Jim, citing pollution and other environmental concerns. His demeanor suggested he was there as a check on the system. When asked if he shared the concerns of
Fast Company •

School shootings are not a design issue

This one feels different, I thought to myself. A troubled boy in arrested development—legally an adult but not yet old enough to purchase alcohol, armed with an arsenal of legally owned firearms—stormed into an elementary school and murdered more than a dozen children. I was repulsed by the carnage, this senseless act of evil perpetrated on pure innocents. And yet in the ensuing days, I found a sliver of hope that this time—this time!—some sensible laws would be passed at the federal level that
ENTER: an AIA Minnesota publication •

The State of Mass Timber in Minnesota

This feature appears in the 192-page, 2022 ENTER print annual, available for purchase here. What’s old is new again: Mass-timber construction is having a moment. Since 2013, more than 1,300 mass-timber projects across all 50 states have been constructed or are now in design, according to the nonprofit WoodWorks. In the last few years, across select regions of the country, architects and developers of large-scale mass-timber buildings have engaged in their own “race into the sky,” with new world
ENTER: an AIA Minnesota publication •

Meeting the (Living Building) Challenge

This feature appears in the 192-page, 2022 ENTER print annual, available for purchase here. Green building certifications are many and varied. From LEED to BREEAM, Passive House to WELL, designers and builders across the globe utilize these programs to guide their efforts and spotlight the often hidden virtues of sustainable approaches. While all of these certifications help move the needle in addressing climate change, the International Living Future Institute’s (ILFI) Living Building Challenge
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Art Criticism | Art History

Gallery Crawl •

“Remember That You Will Die: Death Across Cultures” at the Rubin Museum of Art

Memento Mori is the Latin-Christian maxim translated as “Remember that you will die.” It is altogether sobering and, in some perverted sense, comforting; it’s an epitaph for the masses—commoners and kings alike. It is also the subject of the ’s latest offering, of the same name, and although said offering is a modest one, this exhibition is, quite literally, breath-taking.
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